This Drifting Excrement Was Way Too Symbolic! These Are the TV Disappointments of the Past Year.

As we consider the TV landscape of the past year, a handful of shows stand out not for their excellence, but for their notable failures. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Burdened with woeful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. For a moment, as the final series started, it looked like it had finally found its groove. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the final series. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was simply too symbolic. Still, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this drama's problems. The recipient of a very rare no-star review, it was difficult to know where to start listing the problems. The laughably leaden writing? The mind-numbing veneration of wealth and consumption? The seemingly deliberate parade of cliches? Acting so poor they felt almost malicious? Suffice it to say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part documentary which smirked its way at Sheen’s various episodes of self-destructive excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be saved for the people who have had to endure proximity with this charming but dismissive narcissist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were many other issues. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of certain performatively angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into twee homemaking as deliberate provocations. But then you view them and are forced to admit that actually, they might have a point. It’s like watching a homeware magazine come to life; a poster for wine o’clock with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her struggles with career, self-image, self-acceptance. But for some reason, this documentary series opted not to say them. Instead, the experience was akin to reading a marketing catalogue. She obviously has good reason to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to live up to something far greater than it.

The Lena Dunham Romcom

How do you follow a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of famous friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of gifted younger comics, hopes were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from strangely breezy, somewhat stylised farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we buy him playing the greatest maths genius since, a man so smart he’s on the brink of a breakthrough that could ruin society? Nope! This globe-trotting thriller about government agencies spying on – and eliminating – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for sexual escapades as she undertook her biggest feat yet. What on earth would motivate her? What we craved was far greater interrogation of her true psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was horrific shots and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Jennifer Jackson
Jennifer Jackson

A seasoned business analyst with over a decade of experience in tech and finance, passionate about data-driven insights and innovation.